Everything brides and clients usually ask me before we start working together — how the trial works, what happens on the day, and how to book. If your question isn't here, just message me.
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1.Message me on WhatsApp or Telegram with your date, your location and roughly what you need.
2.I'll ask you a few things about your wedding — what time the ceremony is, where you're getting ready, how many people need services, what your dress is like, what kind of day you're imagining.
3.I answer all your questions and give you my honest recommendations for your specific situation: whether a trial makes sense for you, whether it's worth having me stay through the day, whether one artist is enough or a second one would keep your morning calm. If you'd like, we can do this on a video call — so you can meet me properly and ask everything you want to ask.
4.I send you a quote built around your date and location.
5.Your date is held with a deposit. In high season dates go early, so if you're sure, it's worth not waiting.
Your wedding beauty is a considered investment — and one that directly affects how calm and supported you feel on the day.
To book a trial, a small deposit of 50 € is required. To secure your wedding date, the deposit is 25–30% of your package. The rest is settled on the day itself.
Yes — I'm based in Barcelona and work across Spain and Europe, including Mallorca, Lake Como and beyond. Travel within Barcelona is free. Outside the city a location fee may apply depending on your venue, and for some venues it's already included in the price. For destination weddings I'll quote everything individually.
Yes — and it's one of the most underestimated parts of the whole experience.
The wedding morning has its own energy. It can feel calm and grounded, or slightly chaotic if the timing hasn't been thought through properly. A well-built schedule takes into account far more than makeup and hair: when your photographer arrives, the natural light in your getting-ready room, how many people need services and at what pace, and how much space you need before you leave.
I put that schedule together for you and coordinate it with your planner and photographer, so every part of the morning fits with the rest. Brides tell me afterwards that this is what made the biggest difference — when the timing is handled, everything feels lighter, and there's room to enjoy the morning instead of managing it.
Around 3 hours. We can do it at your place, or in my studio in Barcelona — whichever is easier for you.
We're not in a hurry: we try things, change them, look at everything in daylight and in photographs, and keep adjusting until it's exactly right. By the end we both know precisely what we're recreating on your wedding day.
Please come with clean, fresh skin — no makeup, just your usual skincare.
Wash your hair the evening before and dry it well. Shampoo and conditioner are perfect — please avoid any oils, they change how the hair holds a style.
It also helps to bring photos of looks you like, and to have an idea of your dress and accessories, even if nothing is final yet.
It's not compulsory — many brides book only the wedding day and everything goes beautifully. But a trial takes all the uncertainty out of the morning. You already know how you'll look, and we can spend the wedding day simply enjoying it instead of experimenting.
Many of my brides are planning from another country, and I know that flying in early just for a trial isn't always possible. That should never be the thing that stops you.
If you can come, I'll work around your dates. Brides often do their trial during the trip when they come to see the venue, taste the menu or meet their planner — tell me when you'll be here and we'll find the time. It's also very common to do the trial a day or two before the wedding itself.
Don't worry — I work this way often. We exchange references, I ask you about your features, your skin and your hair, and we discuss the look in detail long before the day. We also have a video call, included in your consultation at no extra cost, so we can see each other and go through everything properly. By your wedding morning we both know exactly what we're creating.
Before the wedding I put together a schedule for the whole morning — who starts at what time, and in what order — so that everyone is ready without rushing and you have time to breathe before you leave.
Two things make an enormous difference: please ask everyone to be there at their appointed time, and to stay off their phones during their own makeup or hair. It sounds small, but a single delayed guest can move the whole morning, and I want the schedule to protect you, not stress you.
Your look takes around 2 hours. Each guest takes about 1 hour to 1 hour 20 minutes.
Wash it the evening before and dry it well — shampoo and conditioner only, no oils.
For some hairstyles slightly damp hair actually works better. If that's the case for your look, I'll tell you in advance so you know exactly how to arrive.
I've spent years working in tropical countries and in the heat of European summers, so long-wear is something I've had to master rather than something I hope for. Heat, humidity and open-air venues change how makeup and hair behave — so I plan for them from the start.
For makeup that means proper skin prep, choosing products built for long wear, and setting the look properly for the conditions of your day. For hair it means preparing the hair correctly and building structure that keeps its shape, rather than a style that looks perfect for the first hour and then loses it.
It's also worth being realistic: a full day outdoors in August is different from an evening ceremony indoors. I'll tell you honestly what will and won't work for your venue and your climate, and if the day calls for it, we can plan touch-ups so your look stays fresh through to the evening.
Of course — bridesmaids, mothers, sisters, friends, the groom and flower girls. For larger groups I bring additional artists and organise the entire morning schedule myself, so you don't have to think about it.
Yes, and more and more brides choose it. A touch-up after the ceremony. A soft adjustment before portraits. Later, a change of lip colour or a more relaxed hairstyle for the evening. These small transitions let your look evolve naturally with the rhythm of the day, instead of staying frozen from eight in the morning.
Having me there also creates a kind of continuity. You're not wondering whether your makeup is holding or whether your hair needs fixing — you're simply present, moving through your day with ease. I'm nearby when you need me and invisible when you don't.
It can be booked by the hour, or as a full day of 8 hours, which includes one look change if you'd like one.
A destination wedding needs an artist who plans ahead. Flights get delayed. Timelines shift. Things happen — and it's my job to have already accounted for them.
I always have a plan. Backup options, a schedule that can be adjusted, clear communication — it's all part of the service, not an extra. In all my years of destination weddings, every bride has been ready on time, and that's exactly how I intend to keep it.
This is not something you want to be thinking about on your wedding day. By then, it's already handled.
Three things, really.
The first is the level I work at. I use only luxury products and professional tools, and I build looks the way they're built for editorial — with attention to skin, structure and how everything reads in photographs, not just in the mirror.
The second is where I come from. I work with brands, magazines and commercial projects alongside weddings, so fashion is part of how I see a face. That's what my brides feel most: they don't just look "done up" — they look styled, current and like themselves at their best. Many of them tell me afterwards that their photographs look like a magazine story.
The third is experience beyond the makeup itself. After years in this industry I know how a wedding morning, a shoot or an event actually unfolds — so I can plan the timing, anticipate what might go wrong, answer your questions and guide you through the whole process. That part is often what makes the difference between a beautiful look and a calm, beautiful day.
Yes. Alongside years of work in Europe, the US and Moscow, I lived and worked for several years in Sri Lanka and Vietnam — places with a very international clientele. I've worked across the full range of skin tones and undertones, from deep African and Afro-Caribbean skin to South Asian, Middle Eastern and East Asian complexions, and with every kind of eye shape and skin texture that comes with them.
Mature skin is something I love working with. It needs a different approach — lighter layers, the right prep, textures that sit softly instead of settling into fine lines. The goal is always skin that looks like skin: fresh, luminous and yours, never heavy or masked.
Only luxury products: Tom Ford, Dior, Charlotte Tilbury, Bobbi Brown, YSL, Armani, Dolce & Gabbana, Estée Lauder and others. For hair I use the safest professional tools — Cloud Nine, Dyson — and Tigi, Oribe and Kevin Murphy styling products.
Everything is chosen for your skin type and your hair, not applied by formula.
Yes, on request — it gives a weightless, long-wearing finish that photographs beautifully. Just let me know in advance so I bring the equipment with me.
Yes, if you'd like them — they're included in the price, and I work with individual lashes so the result looks natural rather than heavy.
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